Licenciado en Bellas Artes (Bachelor of Fine Arts) in 2003 and Doctor en Bellas Artes (PhD of Fine Arts) in 2006, from the Universitat Politècnica de València. I am also a Specialist in Conservation and Restoration of Historical-Artistic Heritage (UPV-2004), Specialist in University Pedagogy (UPV-2006) and Higher Technician in Occupational Risks Prevention (SGS-2009).
My teaching activity has been developed during the last 17 years (from 2004 to present) at the Universitat Politècnica de València and I have directed more than 70 Trabajos Fin de Grado_TFG (Bachelor's Thesis) / Trabajos Fin de Máster_TFM (Master's Thesis). I made also several teaching stays at the Academy of Fine Arts of Carrara (Italy_2008) and Bologna (Italy_2019). I have taught in different degrees. Currently, I teach in the Degree in Conservación y Restauración de Bienes Culturales, also in the Master of Conservación y Restauración de Bienes Culturales. I have taught more than 15 courses in different organizations: public and private institutions, and other universities. In all cases, the topic of the courses was related to sculpture, materials and techniques, diagnosis and deterioration, conservation and restoration treatments.
The main lines of research that I develop focus primarily on the analysis and durability of stone materials vs organic / inorganic mortars, and on methods of reconstruction of the sculptural / ornamental volume and architectural elements. More specifically, in recent times, my research work has been related to the development of intelligent prosthetics obtained through the use of 3D registration technologies and additive manufacturing tools. Likewise, the prostheses incorporate an adhesion system using magnetic systems that prevent invasive treatments in the artwork. I direct this research line at the Instituto de Restauración del Patrimonio (IRP_UPV).
These lines of research have been developed in different research projects through local and national government grants since 2004. I have been participant in 16 R&D projects granted through competitive calls for proposals. I have been co-signatory on 76 publications in magazines, books and chapters; and more than 120 artistic contributions / exhibitions and communications to congresses.
I have developed a remarkable technology transfer activity through contracts (more than 17) with different companies, as well as with public administrations, always in the field of Cultural Heritage. The objective of these collaborations has been, mainly, the analysis of the work of art, its diagnosis and restoration treatment; or, the design of elements or technological solutions for the treatment of sculptures / ornaments of the Cultural Heritage. I am also a signatory of 2 invention patents.
I was Deputy Director of Infrastructure of the department of Conservación y Restauración de Bienes Culturales (UPV_2012-2020) and, since 2021, I am Director of the Master of Conservación y Restauración de Bienes Culturales in the same department.
Work
Universitat Politècnica de València
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Full Professor
Spain
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Universitat Politècnica de València
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Associate Professor
Spain
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Publications
Ángel alado del Panteón familiar Pau-Simó (Cementerio General de Valencia). Casuística de deterioro y tratamiento restaurativo
Ge-conservacion
journal-article
Characterization of 3d printing filaments applied in restoration of sensitive archaeological objects using rapid prototyping
Rapid Prototyping Journal
journal-article
Development of reversible intelligent prosthesis for the conservation of sculptures. A case study
Journal of Cultural Heritage
journal-article
Consideraciones en la restauración del bajorrelieve expresionista de cemento El Apostolado (1963).
Conservación de arte contemporáneo: 21ª Jornada,
book-chapter
Nanolime- and nanosilica-based consolidants applied on heated granite and limestone: Effectiveness and durability
Construction and Building Materials
journal-article
Segmento de perfil polimérico, estructura híbrida y método de fabricación
patent
Thermosetting composites based on bronze particles for archaeological and artistic metal heritage cloning
Heliyon
journal-article
The revalorization of the ephemeral creation through virtual conservation. Application of the 3D record and proposition of the interactive repository of the “Exposició del ninot”
Revista Sonda: investigación y docencia en artes y letras
journal-article
Use of magnets for reversible restoration in sculpture. The case of the “Virgen de los Desamparados” in Valencia (Spain)
Journal of Cultural Heritage
journal-article
Virtual 3D registration of anatomic wax sculptures
European Journal of Anatomy
journal-article
Sustancias de moldeo y procesos técnicos para la realización de moldes sobre piezas originales en el medio subacuático
ARCHE
journal-article
An Augmented Reality Mobile App for Museums: Virtual Restoration of a Plate of Glass
Digital Heritage. Progress in Cultural Heritage: Documentation, Preservation, and Protection
book-chapter
Optimización y aplicación de prótesis 3D mediante tecnologías físico-digitales como solución para la restauración de faltantes en escultura
ANUARIO TAREA
journal-article
The 3D register as a means for the analysis and dissemination of the sculptural heritage. The case of the wax sculpture of the Ecorche
GE-CONSERVACION
journal-article
Conservation, Tourism, and Identity of Contemporary Community Art
book-chapter
Conservation, Tourism, and Identity of Contemporary Community Art
[]
book-chapter
MATERIAL PARA LA CONSTRUCCIÓN POR MOLDEO, EXTRUSIÓN O IMPRESIÓN 3D
patent
Museum reproduction of metallic archaeological artefacts: from lost wax casting techniques to artiicial metals
GE-CONSERVACION
journal-article
Influence of substrate pore size distribution, poultice type, and application technique on the desalination of medium-porous stones
Studies in Conservation
journal-article
Intervención de la escultura de la mare de déu dels desemparats y pedestal del escultor silvestre d'Edeta, la Pobla Llarga (Valencia)
ARCHE
journal-article
Estudio de sistemas magnéticos a base de imanes para uniones de fragmentos y prótesis a la obra original escultórica
La Ciencia y el Arte V
book-chapter
The ornament of the south facing turret and the Islamic wall fragment, Valencia (Spain)
Vernacular Architecture: Towards a Sustainable Future
book-chapter
Sustainable architecture in the traditional rural environment: Moratalla
Vernacular Architecture: Towards a Sustainable Future
conference-paper
Chromatic properties study of mortars with organic binder used in the reproduction of outdoor artworks
Science, technology and cultural heritage: proceedings of the Second International Congress on Science and Technology for the Conservation of Cultural Heritage, Sevilla, Spain, 24-27 June 2014
book-chapter
Qualities and use of cyclododecane during molding and original stone fragments support. Case Studies
GE-CONSERVACION
journal-article
Study and Characterization of Stone Mortars Used as a Volumetric Reconstruction Material in Conservation-Restoration of Monumental Heritage
Construction and Building Research
book-chapter
Application of the double layer system as preventive method in the moulding process of sculptures and ornaments
Science and Technology For the Conservation of Cultural Heritage
book-chapter
La conservación preventiva de la escultura monumental contemporánea al aire libre. Un problema y un deber de todos
Conservación de arte contemporáneo [Recurso electrónico] : 13ª jornada, febrero 2012
book-chapter
Study of behaviour on simulated daylight ageing of artists’ acrylic and poly(vinyl acetate) paint films
Analytical and Bioanalytical Chemistry
journal-article
Study of behaviour on simulated daylight ageing of artists’ acrylic and poly(vinyl acetate) paint films
Analytical and Bioanalytical Chemistry
conference-paper
Estudio del ciclododecano como separador temporal en el proceso de moldeado de materiales pétreos macroporosos
ARCHE
journal-article
Recuperación preventiva y restablecimiento Formal. El caso de la balaustrada pétrea ubicada en el patio interior del Palacio de la Duquesa de Almodóvar, Ontinyent (Valencia)
ARCHE
journal-article
Restoration in the extreme situation of structural loss. The monumental renascentist baptismal font of the church of Santa Maria in Ontinyent (Valencia)
GE-CONSERVACION
journal-article
La reposición como medio de reconocimiento histórico-estético y funcional. El caso de la Portada del Sol de la Basílica de Santa María (Elche, Alicante)
La restauración en el siglo XXI: función, estética e imagen
book-chapter
Study of ageing of ketone resins used as picture varnishes by FTIR spectroscopy, UV–Vis spectrophotometry, atomic force microscopy and scanning electron microscopy X-ray microanalysis
Analytical and Bioanalytical Chemistry
journal-article
Ideología y metodología en los procesos de Intervención en las esculturas y ornamentos del espacio central y acceso sur de la Basílica de los Desamparados de Valencia
ARCHE
journal-article
Proceso de reproducción de la imagen de Nuestra Señora de Aguas Vivas debido a las alteraciones causadas por su funcionalidad
Modelos, intercambios y recepción artística (de las rutas marítimas a la navegación en red): XV Congreso Nacional de Historial del Arte. Palma de Mallorca, 20-23 de octubre de 2004, Vol. 2, 2008 (Volum II), ISBN 978-84-8384-062-7, págs. 1169-1180
book-chapter
Identification of lead pigments in nanosamples from ancient paintings and polychromed sculptures using voltammetry of nanoparticles/atomic force microscopy
Talanta
journal-article
Estudio y caracterización de morteros compuestos, para su aplicación en intervenciones de sellados, reposiciones y réplicas, de elementos pétreos escultórico-ornamentales
dissertation-thesis
Evaluation of morphological changes of aged acrylic, ketone and hydrocarbon resins used in contemporary artworks
ARCHE
journal-article
Diagnosis and conservation of a sculpture carved out of phenolic foam
ARCHE
journal-article
La conservación con mediación de la máquina aplicación del pantógrafo computerizado en la reproducción tridimensional de material lígneo.